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All writers who aspire to authorship...
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...should see the movie Genius*, a biopic of editor Max Perkins's professional relationship with (the first)
Thomas Wolfe, Earnest Hemingway, and F. Scott Fitzgerald. It's a well done flick depicting the interaction of editor and author in the 1930s,
a bygone era in publishing.
In one scene, Wolfe brings cartons of handwritten pages of his manuscript to Perkins.
Perkins ultimately edits it, paring it down, reordering scenes, deleting characters, and identifying plot issues for Wolfe to address.
The point? Until it is published, your manuscript is not a book; it is a work-in-progress.
*The movie is based on the superior book: Max Perkins, Editor of Genius by A. Scott Berg (1978). 455pp.
If you are well into your first draft, or have completed it, you'll be loath to delve back into your main story, plot, characters, and settings,
but you must be prepared to do so. Your story could be compelling, but the presentation may be challanging to follow or flawed.
Some character may lack motivation or be superfluous. Some descriptions may be mamby pamby.
In the old days, there were Max Perkinses to sort it out. Not so today.
We must exsect imperfections ourselves. To smooth out the rough areas, scenes can be added, deleted, altered, and rearranged.
Characters and plot points might be reconfigured.
A character who has morphed from bad-guy to the not-so-bad-after-all guy may require ousting completely.
Your favorite turns-of-phrase may need to be cut because they no longer fit the context of the scene.
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Faulkner famously summarized the editing process: "In writing, kill all your darlings."
It is the mantra of the serious writing community.
For all the reasons you sought advice and are here, read these discussions. With the exception of Finding an idea,
which may apply only if you are beginning to write, all the topics outlined below will impact your final revision and prepare it for publication.
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Finding an idea
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The Creative Process
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Flash Fiction
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Floodgate Fiction
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Writing Prompts
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Resurected Storylines
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Preparing to Write
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Olympic runners can't walk at birth. So, too, before they penned their first composition,
the greatest writers needed to learn the language and study the art and craft of putting
words on the page through mentorship, internship, independent or formal study, and by being avid readers.
It is never too late.
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What you must read
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Are you an Outliner or Pantser?
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The Importance of Research
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In What Genre Are You Writing?
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The Writing
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From the Department of Understatement: There are a lot of places to read about how to write.
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From the Bureau of Reality: Most say the same thing in almost the same words.
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From the Division of Practicality:
You don't have the time to read and sort through thousands of blogs, web sites, chat groups, and fora about how to write.
You need to learn and implement.
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From the Board of Personal Responsibility:
You must have the patience to prepare yourself by efficiently and effectively investing a writer's one commodity—time—to
learn, practice, and emmulate.
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Self-editing
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Unless you pay thousands of dollars to each of several different classes of editors who transform you draft
into a publishable work, you must do it yourself. Even then, they will hand the manuscript back to you with recommendations for
modifications and rewrites of scenes, dialog, and narrative before the next (paid-for) round of editing.
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Learning to use the tools
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Overcoming common writing errors
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Polishing
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Feedback and Review
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Every writer has a message to convey. Even if you're just telling a story. But is it sufficiently intriguing
to make a reader invest up to ten hours of their life listening?
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Beta-readers
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Soliciting feedback
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Publishing
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The techtonic plates have shifted and a single publishing continent is now two.
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Agents and Publishers
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Self versus traditional publishing
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